Claude Debussy. La cathédrale engloutie, prelude for piano, L. /10 (/10). Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Debussy, Claude La Cathedrale Engloutie (Preludes Book 1 no) midi file for Piano (midi) – La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.
|Published (Last):||14 December 2012|
|PDF File Size:||8.79 Mb|
|ePub File Size:||20.94 Mb|
|Price:||Free* [*Free Regsitration Required]|
Debussy uses this unstable pitch collection, with no clear tonic to facilitate a smooth transition between G minor Pentatonic to C Major Pentatonic. There are many different versions of the legend.
It was arranged for orchestra by Leopold Stokowski as The Oa Cathedral and released in a recording in Views Read Edit View history. This page was last edited on 21 Decemberat It cathedtale in measure 28 and introduces a diatonic key for the first time, the key of C major. Various arrangements and transcriptions of the piece exist. It was famous throughout the region for its beautiful gardens and buildings.
Creative Commons Attribution Non-commercial 3. Schubert, Auber, Mendelssohn and others Ys was a mythical city said to have been on the coast of Brittany Northwest France in the Bay of Douarnenez.
I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small e. This is a slow, hypnotic, stately sarabande that utilizes multiple layers of parallel chords in unusual five-bar groupings. Klavierwerke, Band II pp.
The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and Parallel harmony forces the chords to be understood less with functional roots, and more as coloristic expansions of the melodic line. Motif 1 is heard on a broader scale in the bass notes dotted whole notes in measureshitting the notes of the motif in inversion and transposition on the down-beats of measures 1, 15, and 16 G-C-B.
John Carpenter used it as sound track in his scifi movie Escape from New York. Debussy masterfully saturates the entire structure of the piece with these motifs in large- and small-scale ways. Imaginative editing for pianists seeking a fresh look at this masterpiece in this centenary year.
Through application, tonal ambiguity is created that is often seen in Impressionist music. For example, some performers use their full body weight to depress keys to create a rich sound.
From Mozart to Messiaen. Jazz Latin New Age. Knopf, Shin-Itchiro’s Sheet Music Library. It is virtually an etude, fiercely aggressive and calling upon the full resources of the pianist. King Gradlon escapes and takes refuge in Quimper which becomes the new capital.
The Art of Listening [7th Edition]. Debussy effects a striking musical depiction of the mythical submerged Cathedral of Ys with “archaicisms” like modality and parallel harmonies. For example, motif 1 appears in the bottom of the right-hand chords on the 2nd, 3rd, and 4th quarter notes of measure 14 D-E-Band again in the next three quarter note beats D-E-B.
Debussy depicts a barren winter snowscape with a plaintive, harmonically static dirge. Some extra work has been done in erasing the titles at the beginning of each piece and placing them at the end, following the Author’s wish.
Debussy – La Cathedrale Engloutie (Preludes Book 1 no) midi file for Piano (midi) –
Grand Piano and Nature. Crisp rhythms and “popular” harmonies punctuated by sharp dissonance anticipate elements in the music of Stravinsky and Poulenc.
Pictures of the Floating World. Following the grand entrance and exit of the organ, the cathedral sinks back down into the ocean measures and the organ is heard once more, but from underwater.
Romantic Evening Sex All Themes.
Préludes, Livre 1 (Debussy, Claude)
Forever by the Sea. April Learn how and when to remove this template message. This mode holds until measure 7, beginning a short section using the same mode now in C.
Inexact parallelism allows the quality of the harmonic intervals to vary throughout the line, even if the interval sizes are identical, while exact parallelism the sizes and qualities remain the same as the line progresses. It was also very vulnerable to flooding, being situated below sea level.
The Story of Debussy’s “The Sunken Cathedral”
This shows Debussy at debussyy closest manifestation of musical impressionism. In measure 13, the G idea returns for two bars. After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars.