Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.
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We improvise in” the sound of the voicing and using hexatonic voicings and lines can lend avery contemporary sound. I had looked through some of his previous books but this one looked hexatoics interesting to me. Some hexatonics are consonant sounding against a chord type.
Eb Real Book 5th edition Vol. Jerry Bergonzi Vol 5 hdxatonics Thesaurus of Education. B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD
Jeri Bergonzi edited and wrote the vpl. Have each hexatonic 1 bar,2 bars or 4 bars each. So David, I was wondering, does Bergonzi have any reasoning as to why he proceeds in such a fashion? For example, over the C-7 chord, try any these hexatonics: This is meant to be a particular sound and, of course, overusing it would be comparable to over-spiced food. This major over major hexatonic can fit over many chords. Donate to Casa Valdez!! We improvise “in” the sound of the voicing jefry using hexatonic voicings and lines can lend a very contemporary sound.
Jerry Bergonzi- Vol 2 – Pentatonics Documents.
Jerry Bergonzi Vol 7 – Hexatonics
Select a few to practice and play in all keys keeping in mind what chords they may fit vergonzi. In this instance, it is the C that is the unusual note that creates the rub.
The structure and “tensile strength” of triads give the melodic line an bergnzi internal logic. Jerry Bergonzi vol 3 – Jazz Line Education. Is Berklee College of music out of your price range? On a minor 7th chord, the upper triad sounds the 9,: This book will keep me busy for a long time, it’s really the most jerrt music book that I’ve run across in a long time. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, beegonzi, eight, or sixteen measures “.
I fully describe Mr. This book is a great way to learn a to use a modern and usually confusing harmonic device for improvising over chord changes. Hearing these different combinations of triads against different chords is a must for expanding your tonal pallet.
Have each hexatonic be 1 bar,2 bars or 4 bars each. You simply will not believe the number of transcriptions contained in these Japanese compilations.
On a dominant chord, the two triads include the: U 1’1 ttl “-” “Programma del triennio di di I 5 9 5 9 Try progressions 1 and 2 with this hexatonic, too. It fits well over diminished chords or dominant chords that are being played with diminished scales. This effect is multiplied when the triad pair is used over a root tone that is not present in either triad.
D triad over e triad. On a minor 7th chord, the upper Wad sounds the 9, n 1 and Jerry Bergonzi Vol 7 – Hexatonics. Try integrating this approach with other melodic material.
I I F-7 Bb? Shit, I sound like I’m trying for a job as his publicist, but hexatoonics this your basic point, reworded with my usual verbosity? Yes, here they are. Berklee Jazz Harmony B-jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
Practicing hexatonics is great way to improve technique and it’s also great for ear training. Newer Post Older Post Home.
When the B triad is voiced over the C triad, major 7th intervals are sounded. For example, over the A-7 chord, try any of these hexatonics: When the box with the book hexstonics came I thought that the distributor got my order wrong because it came in a big and very heavy box. Jerry’s book is more practical than Gary’s book.
[PDF] Jerry Bergonzi Vol 7 – Hexatonics – Free Download PDF
G-7 7 F-7 BP” Of course, improvising and using only one particular hexatonic sounds very onedimensional. Many modern piano players use hexatonic voicings by stacking the triads to create aparticular harmony. J Due to the nature of this book and to economize space, the word triad will be omitted after the pitch name. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.
D triad over e triad can be written and played in any inversion, for example: The sixth hexatonic is two minor triads a whole step apart. Have each hexatonic be 1 bar, 2 bars or 4 bars each. E-7 A7 D-7 G7 Of course, improvising and using only one particular hexatonic sounds very onedimensionaL Nevertheless, it is a good way to practice in order to make it your own.